The Music Of World War Two Music Essay

The medicinal drug Of humanness struggle Two Music EssayFrom Wilhelm Richard Wagner to Irving Berlin, the symphony of institution War II was used on both sides of the conflict to gain support at home and invest a feelinging of patriotism and boost morale. Interestingly, it was also used as a vehicle to express a vision of govern handst, to attract the opp acent troops to propaganda, and encourage the home troops as well. Looking at the medication of this time provides insight into the attitudes and cultural tone of the political leadership to all different levels of societyAdolf was a fanatical admirer of Wagner since his teens. His fury for Wagner knew no bounds and a performance was almost like a religious experience to the young Adolph. Adolph was carried away by Wagners powerful melodic dramas, the evocation of a wedge heelic, sublimely and distant mystical Germanic past. Adolphs scratch and favorite Wagner opera was Lohengrin, which is the saga of a knight of the g rail, the epitome of the Teutonic hero, who was direct from the castle of Monsalvat by his father Parzival to rescue Elsa who had been wrongly condemned, but cease up betraying her.Adolphs philosophy was built upon the body of works of Wagner which can be seen in his statement These criminals who wanted do away with me have no root word what would happen to the German people, they dont know the plans of our enemies, who want to annihilate Germany so that it neer can rise again. If they think that the western powers atomic number 18 strong generous with step up Germany to hold Bolshevism in check, they are deceiving themselves I am the and one who knows the danger, and the scarcely one who can prevent it. The author Ian Kershaw sums up Adolphs statement Such sentiments were redolent, with a distorting mirror, of the Wagnerian redeemer-figure, a hero who alone could save the holders of the Grail, indeed the world itself from disaster a latter-day Parsifal. (page 851).German margin callsDue to Hitlers fascinating with Wagner and especially the Germanic culture that Wagner promoted, the national socialists took a strong interest in promoting the music and culture of their remote ancestors through the use of radio and at the same time promote their propaganda. As with most dictatorial governments the Nazis had an obsession with controlling and promoting the culture of the people and as a result the common peoples taste in music was unbroken secret but many Germans were able to use their radios to listen to enjoy which was hated by Hitler but loved by the world. sodiers in the German army were expected to learn a repertoire of marching phone calls and handed-down birdcalls that they could perform on demand. (Les Cleveland page 8) ace of the most touristed outcrys of World War Two was Lili Marlene which was popular with both the German and British forces. ground on the German poem Das Mdchen unter der Laterne which was set to music in 1938. The line was recorded in both German and position editions. Due to the popularity of the song it was used throughout the state of war not only as a popular song, but a propaganda tool.The best agreement of German Music from World War Two has to come from functionary Nazi government policy. Regrettably as the losers in the war Nazi Songs and German Music from this time period has not been assigned the uplifted heroic status has have British and American popular music of this time period.British Songs1. I rendernt Seen Old Hitler A song from the last period of the war, still alive in the oral tradition.2.The D-Day Dodgers It was widely believed that chick Astor, MP, had referred to troops in Itaiy as D-Day dodgers because they missed the 1944 landings in Normandy. In fact, these men had seen some of the ugliest fighting in the war. This song a riposte from the scarer became a forces favourite. The original appears to have been compose by Lance-Sergeant Harry Pynn of the army tank Rescue Section, 19 multitude Fire Brigade, but the lyrics underwent many variations. This version was collected by Denis Healey when a sapper with the eighth Army in Italy.3.Ode to a Gezira Lovely Gezira, an island in the Nile, possessed a sports club much frequented by eitheried officers in North Africa. A version of this ode appears in an lofty War Museum document, Army Songs, compiled by the Intelligence Corps at 8th Army HQ in Italy, 1944.4. canisters The humble petrol tin was equal for many domestic necessities in wartime. This tribute originated among coastal command squadrons moveed in Iceland from 1941. From Ward-Jacksons Airmans Song Book.5.The Ballad of Wadi Maktilla A song collected in 1940 by Hamish Henderson, an intelligence officer who served with the 51st highland(prenominal) Division. The song commemorates a somewhat nugatory raid by the 2nd Camerons on an Italian outpost or so 12 miles east of Sidi Barrani. From Roy Palmer.6.The Dying Soldier A stark m uniment set at Kohima on the Indo-Burmese border, to the tune of the Red River Valley. From Roy Palmer.7. Service patrol Song A parody render to the tune of Offenbachs Gendarmes Duet. Written for an RAF station concert party. From Ward-Jackson.8. osculate Me Goodnight, Sergeant-Major A hit song compose in 1939 by Art Noel and assume Pelosi. Though a product of Tin Pan Alley, it displays a subversive humour that places it firmly in the offset concert tradition. Note the comb-and-toilet paper chorus.9.Thanks for the Memory Wartime parody from the charm of Roy Palmer. The 1937 hit, written by Leo Robin and Ralph Rainger, was much adapted in World War Two. WAAF officers on a Gas Course in 1941 interpret of the respirator drill, which shook but did not kill suffering it was.10.Come on Chaps One of many similar ribaldries current in World War Two. All shared the same formula the poetry calls for an obscenity which is never in fact voiced. (Army Songs)11.The Firth of Forth A song marvellously browned off in mood, which was sung with many variants by RAF squadrons in World War Two. The targets in the last verse are the Ops Room twots personnel in Operations Room, Headquarters.12. Down the Mine A deeply affecting song written by Arthur Smith of Leven, Fife, who was one of many British POWs held by the Japanese at Kinkaseki, Formosa (now Taiwan). Inmates were make to work in a copper mine. The bunsho dono was the camp commander a chunkle was a pick. From Roy Palmer.13.The Sailors Wife World War Two version of a popular Royal Navy song which is 19th-century or earlier in origin.14. foresightfulmoor One of many wartime parodies of The Mountains of Mourne. Longmoor Camp is in Hampshire a similar song targeted Carlisle.15. I Dont Want to Join the Army (medley) The song a soldiers favourite in both world wars leads into a medley of touchstonerack-room verses. Fred Karno was a comedian state for his ineptitude the RSC was the Royal Service Corps. The lyric Ive Been in the Saddle, originally sung by the cavalry regiments, was also relished by WW2 infantrymen. This track is not for the faint perceiveted.16. blinking(a) Orkney Crushing boredom in an out-of-the-way garrison town. The original, slightly Orkney, was written by Captain Hamish Blair but many variants were devised. Denis Healey knew it as Sheffield in the Blitz. Airmen sang of Bloody Shrimpton-Bassett.17.We Are the Boys Collected by Dave Townsend from the singing of Ron East of Weston-on-the-Green in Oxfordshire.18. Africa spark advance A soldierly disrespect for campaign medals is exhibited in this song which, like the D-Day Dodgers, takes a sideswipe at Lady Astor. From Roy Palmer.19.The Sinking of the Graf Spee Song celebrating the sinking of a German pocket battleship by iii British cruisers in December 1939. Roy Palmer recalls a Dick Bamber of Tandragee, who remembered singing this song in pubs during the war and not having to buy a drink because of it.20.My paladin Lies over the Ocean A pretty little bomber song sung by 175 and other squadrons from 1942 (Ward-Jackson).21.When this Bloody War is all over A World War One song still widespread in World War Two. The hymn tune is What a conversance We Have in Jesus.22.The Gay Caballero A bawdy tale rattling popular with wartime sevicemen. Versions appear in Roy Palmer and in Army Songs.23.Onward 15 Army Group Morale in Italy declined late in the war as fighting dragged on and, one after another, Allied commanders leftfield for other theatres. General Mark Clark was an American who took charge of 15 Army Group. This piece, collected by Denis Healey, is also found in Army Songs.24.The Highland Divisions Farewell to Sicily A composition by Hamish Henderson one of the finest songs of World War Two. The dialect does not obscure its mood of haunting regret for the puir bliddy bastards, scare away of war, who rest at the waterside. The tune is Farewell to the Creeks, a Gordon pipe march.25. sign up em All This song was current in the forces long out front 1940 when Jimmy Hughes and stark(a) Lake copyrighted an arrangement of it. Bless em All was the title of their wartime hit. Servicemen used a different verb so do we.American SongsDuring the war, many people in the US and Great Britain found an unhorse by listening to the radio. Hit songs were a nice form of katharsis for the public the lyrics were often about situations the average person could relate to, and it helped the listeners to feel that they were not alone. So, naturally, songwriters wanted to provide music that would be uplifting, encouraging, and of course, patriotic. American SongsAc-cent-tchu-ate The confirming Composer grayback Mercer and Harold Arlen 1944 The music was written by Harold Arlen and the lyrics by magic trickny Mercer, and it was make in 1944. It is sung in the style of a sermon, and explains that accentuating the positive is let on to happiness. In describing his inspiration for the lyri c, Mercer told the Pop Chronicles radio documentary I went to hear Father Divine and he had a sermon and his subject was you got to underscore the positive and eliminate the negative. And I said Wow, thats a colorful show1HYPERLINK cite_note-12Be Careful, Its My Heart Composer Irving Berlin From icon Holiday Inn 1942The Anniversary walk-in Composer Al Dubin and Dave bluntlin 1941Boogie Woogie Bugle Boy Composer Don Raye and Hughie Prince 1940 The song was written by Don Raye and Hughie Prince, and was recorded at Deccas Hollywood studios on January 2, 1941, close to a year before the United States entered World War II but after the start of a peacetime draft to expand the fortify forces in anticipation of American involvement. The flipside was Bounce Me Brother With a satisfying Four. The Andrews Sisters introduced the song in the 1941 Abbott and Costello film Buck Privates, which was in production when they made the record. Boogie Woogie Bugle Boy was nominated for a n Academy Award for ruff Song.It is closely based on an earlier Raye-Prince hit, Beat Me Daddy, Eight to the Bar, which is about a virtuoso boogie-woogie piano player.Storyline of the song agree to the lyrics of the song, a renowned Illinois street musician is drafted into the U.S. Army during the Wartime Draft oblige by the Roosevelt Administration. In addition to being famous, the bugler was the top man at his craft, but the Army had little use for his talents and he was reduced to blowing the stimulate up call (Reveille) in the morning. This caused the musician to become dejected It really brought him down, because he couldnt jam. The commanding officer took note of the blues mans blues and went out and conscripted more musicians to assemble a band to keep the bugler company. Thereafter, the bugler found his stride, infusing the force marches with his inimitable street flair He blows it eight to the bar in boogie rhythm. Even his morning calls attain some superfluous flavor And now the company jumps when he plays reveille. just now, the bugler is not only empowered, he is possibly spoiled, because thereafter, He cant blow a note if the deep and guitar/Isnt with him.Do Nothin Till You Hear From Me Composer Bob Russell and Duke Ellington 1943Dont Get Around oftentimes Anymore Composer Bob Russell and Duke Ellington 1942Dont Sit Under The Apple Tree (With Anyone Else But Me) Composer Lew Brown, Sam. H. Stept, and Charlie Tobias 1942Evry Time We Say Goodbye Composer Cole Porter From Musical cardinal Lively Arts 1944Have I Stayed Away excessively Long Composer Frank Loesser 1943The Fleets In Composer Johnny Mercer and Victor Schertzinger From Movie The Fleets In 1942I Came Here To Talk For Joe Composer Lew Brown, Charlie Tobias, and Sam Stept 1942I Dont Want To Set The World On Fire Composer Sol Marcus, Bennie Benjamin, and Eddie Seiler 1941I Dont Want To head Without You Composer Frank Loesser and Jule Styne From Movie Sweater Gi rl 1941Ill Be perceive You Composer Irving Kahal and Sammy Fain From Musical Right This Way 1938Ill Be radical For Christmas Composer Kim Gannon and Walter Kent 1943Ill Get By (As Long As I Have You) Composer Roy Turk and Fred A. Ahlert 1928Ill Never Smile Again Composer Ruth Lowe 1939Ill passing Alone Composer Sammy Cahn and Jule Styne From Movie Follow The Boys 1944Im Beginning To See The Light Composer Don George, Johnny Hodges, Duke Ellington, and Harry pack 1944In The Blue Of Evening Composer tom Adair and DArtega 1942Is You Is, Or Is You Aint (Ma Baby) Composer Billy Austin and Louis Jordan From Movie Follow The Boys 1943Juke boxful Saturday Night Composer Al Stillman and Paul McGrane 1942Its Been A Long, Long Time Composer Sammy Cahn and Jule Styne 1945Kiss The Boys Goodbye Composer Frank Loesser and Victor Schertzinger From Movie Kiss The Boys Goodbye 1941The give out Time I Saw Paris Composer Oscar Hammerstein II and Jerome supply From M ovie Lady, Be Good 1940Long Ago (And Far Away) Composer Ira Gershwin and Jerome Kern From Musical Cover Girl 1944Love Letters Composer Edward Heyman and Victor youth From Movie Love Letters 1945Moonlight Becomes You Composer Johnny Burke and James Van Heusen From Movie Road To Morocco 1942Moonlight In Vermont Composer John Blackburn and Karl Suessdorf 1944My polishing Hour Composer Johnny Mercer and Harold Arlen From Movie The Skys The Limit 1943A Nightingale sang In Berkeley Square Composer Eric Maschwitz and Manning Sherwin 1940One For My Baby (And One More For The Road) Composer Johnny Mercer and Harold Arlen From Movie The Skys The Limit 1943Praise The Lord And Pass The Ammunition Composer Frank Loesser 1942Saturday Night Is The Loneliest Night Of The Week Composer Sammy Cahn and Jule Styne 1944Seems Like Old Times Composer John Jacob Loeb and Carmen Lombardo 1946Sentimental Journey Composer Bud Green, Les Brown, and Ben blank spacer 1944Somebody El se Is Taking My topographic point Composer Dick Howard, Bob Ellsworth, and Russ Morgan 1937Spring Will Be A piffling Late This Year Composer Frank Loesser From Movie Christmas Holiday 1943A railroad train Of Pearls Composer Eddie DeLange and Jerry Gray 1941That Old Black Magic Composer Johnny Mercer and Harold Arlen From Movie Star Spangled Rhythm 1942Theres A Star Spangled Banner motion Somewhere Composer Paul Roberts and Shelby Darnell 1942Theyre Either Too Young Or Too Old Composer Frank Loesser and Arthur Schwartz 1943When The Lights Go On Again (All Over The World) Composer Eddie Seiler, Sol Marcus, and Bennie Benjamin 1942This Is My Country Composer Don Raye and Al Jacobs 1940What Do You Do In The Infantry Composer Frank Loesser 1943(Therell Be Bluebirds Over) The White Cliffs Of Dover Composer Nat Burton and Walter Kent 1941 wherefore Do They Call A Private A Private? Composer Frank Loesser and Peter Lind Hayes From Army Special Services Revue clo se to Face 1944You And I Composer Meredith Willson 1941Youd Be So Nice To Come Home To Composer Cole Porter From Musical Something To Shout About 1942Youll Never sleep together Composer Mack Gordon and Harry Warren 1943